Monday, March 21, 2011

Think Spring!












Ostara ~ Spring ~ Vernal Equinox

Hail, and welcome!
Green life returns to the earth
blooming and blossoming
once more from the soil.
We welcome you,
goddesses of spring,
Eostre, Persephone, Flora, Cybele,
in the trees,
in the soil,
in the flowers,
in the rains,
and we are grateful
for your presence.


From Wikipedia, the free encyclopedia

Ostara (1884) by Johannes Gehrts. The goddess flies through the heavens surrounded by Roman-inspired putti, beams of light, and animals. Germanic people look up at the goddess from the realm below.

Old English Ēostre (also Ēastre) and Old High German Ôstarâ are the names of a putative Germanic goddess whose Anglo-Saxon month, Ēostur-monath, has given its name to the festival of Easter. Eostre is attested only by Bede, in his 8th century work De temporum ratione, where he states that Ēostur-monath was the equivalent to the month of April, and that feasts held in her honour during Ēostur-monath had died out by the time of his writing, replaced by the "Paschal month". The possibility of a Common Germanic goddess called *Austrōn- was examined in detail in 19th century Germanic philology, by Jacob Grimm and others, without coming to a definite conclusion.

Linguists have identified the goddess as a Germanic form of the reconstructed Proto-Indo-European goddess of the dawn, *Hausos, some scholars have debated whether or not Eostre is an invention of Bede's, and theories connecting Eostre with records of Germanic Easter customs (including hares and eggs) have been proposed.

Who is Bede, you may ask?

Bede (pronounced "Bead" ; Old English: Bǣda or Bēda; 672 / 673 – 26 May 735), also referred to as Saint Bede or the Venerable Bede (Latin: Beda Venerabilis), was a monk at the Northumbrian monastery of Saint Peter at Monkwearmouth, today part of Sunderland, England, and of its companion monastery, Saint Paul's, in modern Jarrow (see Wearmouth-Jarrow), both in the Kingdom of Northumbria. Bede's monastery had access to a superb library which included works by Eusebius and Orosius among many others.

He is well known as an author and scholar, and his most famous work, Historia ecclesiastica gentis Anglorum (The Ecclesiastical History of the English People) gained him the title "The Father of English History". In 1899, Bede was made a Doctor of the Church by Leo XIII, a position of theological significance; he is the only native of Great Britain to achieve this designation (Anselm of Canterbury, also a Doctor of the Church, was originally from Italy). Bede was moreover a skilled linguist and translator, and his work with the Latin and Greek writings of the early Church Fathers contributed significantly to English Christianity, making the writings much more accessible to his fellow Anglo-Saxons.

In Greek mythology, Persephone ( /pərˈsɛfən/) in modern English—also called Kore)[1] is the daughter of Zeus and the harvest goddess Demeter, and became queen of the underworld when she was taken from her mother by Hades.[2][3]

The myth of her rape represents her function as the personification of vegetation which shoots forth in spring and withdraws into the earth after harvest; hence she is also associated with spring and with the seeds of the fruits of the fields. Persephone as a vegetation goddess (Kore) and her mother Demeter were the central figures of the Eleusinian mysteries that predated the Olympian pantheon. In tablets dated 1400-1200 BC found at Pylos, the "two mistresses and the king" are mentioned; John Chadwick identifies these as Demeter, Persephone and Poseidon.[4]

In Classical Greek art, Persephone is invariably portrayed robed. She may be carrying a sheaf of grain; in Latin, she is called Proserpina.

In Northern Europe, Easter imagery often involves hares and rabbits. Citing folk Easter customs in Leicestershire, England where "the profits of the land called Harecrop Leys were applied to providing a meal which was thrown on the ground at the 'Hare-pie Bank,' " late 19th century scholar Charles Isaac Elton theorizes a connection between these customs and the worship of Ēostre.[12] In his late 19th century study of the hare in folk custom and mythology, Charles J. Billson cites numerous incidents of folk custom involving the hare around the period of Easter in Northern Europe. Billson says that "whether there was a goddess named Eostre, or not, and whatever connection the hare may have had with the ritual of Saxon or British worship, there are good grounds for believing that the sacredness of this animal reaches back into an age still more remote, where it is probably a very important part of the great Spring Festival of the prehistoric inhabitants of this island."[7]

Some scholars have linked customs and imagery involving hares to Ēostre and the Norse goddess Freyja. Writing in 1972, John Andrew Boyle cites commentary contained within an etymology dictionary by A. Ernout and A. Meillet, where the authors write that "Little else [...] is known about [Ēostre], but it has been suggested that her lights, as goddess of the dawn, were carried by hares. And she certainly represented spring fecundity, and love and carnal pleasure that leads to fecundity." Boyle responds that nothing is known about Ēostre outside of Bede's single passage, that the authors had seemingly accepted the identification of Ēostre with the Norse goddess Freyja, yet that the hare is not associated with Freyja either. Boyle writes that "her carriage, we are told by Snorri, was drawn by a pair of cats — animals, it is true, which like hares were the familiars of witches, with whom Freyja seems to have much in common." However, Boyle adds that "on the other hand, when the authors speak of the hare as the 'companion of Aphrodite and of satyrs and cupids' and point out that 'in the Middle Ages it appears beside the figure of Luxuria', they are on much surer ground and can adduce the evidence of their illustrations."[13]

This is exciting news - as you may recall, for my last blog post I used an image depicting a woman driving a cat-drawn chariot but I did not know the artist's intent - now I realize it must be Freyja!

Cybele (play /ˈkɪbəl/; Phrygian: Matar Kubileya/Kubeleya "Kubeleyan Mother", perhaps "Mountain Mother"; Greek: Κυβέλη Kybele, Κυβήβη Kybebe, Κύβελις Kybelis), was the Phrygian deification of the Earth Mother. As with Greek Gaia (the "Earth"), or her Minoan equivalent Rhea, Cybele embodies the fertile Earth, a goddess of caverns and mountains, walls and fortresses, nature, wild animals (especially lions and bees). Phrygian Cybele is often identified with the Hittite-Hurrian goddess Hebat, though this latter deity might have been the origin of only Anatolian Kubaba. The Greeks frequently conflated the two names, the Anatolian "Kubaba" and the Phrygian "Kybele", to refer to the Phrygian deity. Her chariot is drawn by two lions (and Freyja has to rely on a few poor little kitties...)

My friend Jen discusses the mythical Flora in her WordPress blog, Random Acts of Writing + Art (with a name like Flora it's pretty obvious how she fits in this time of year!)

randomactsofwriting.wordpress.com

And so I wish you a Happy Spring/Ostara/Vernal Equinox - next time I will post something that I actually took time to write myself!

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